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Save for Prisoner of Azkaban ($794 million), the middle sequels all earned between $880 million and $960 million. SorcererвЂ™s Stone crossed $1 billion last year thanks to a Chinese reissue, while Deathly Hallows part II earned $1.345 billion (behind only Titanic and Avatar at the time). Even the inflation-adjusted totals of the middle films (save for the first and last chapters) earned between $340 million and $420 million. Heck, the middle sequels ( Goblet of Fire, Order of the Phoenix, Half-Blood Prince and Deathly Hallows part I) grossed between $290 million and $302 million. Save for the third film (which grossed вЂњjustвЂќ $249 million in summer 2004) and the finale (which earned a 3-D enhanced $381 million in summer 2011), the Harry Potter films earned between $261 million ( Chamber of Secrets in 2002) and $318 million domestic ( SorcererвЂ™s Stone in 2001). While they were unquestionably successful, they didnвЂ™t really get out of Peter JacksonвЂ™s shadow until the release of The Order of the Phoenix in summer 2007, both because the filmвЂ™s release coincided with the release of the seventh and final novel and because it was now assured that the franchise would actually make it to the end. At the time, the books were embroiled in now-laughable controversies from religious/conservative cultural warriors concerning their witchy content, and the first few films were eclipsed in the cultural conversation by Peter JacksonвЂ™s Lord of the Rings trilogy. Thanks to decent reviews and strong consumer buzz, the Chris Columbus-directed fantasy would leg out to $318 million domestic, the seventh-biggest domestic gross ever at that time and earn $974 million worldwide to come in behind only Titanic ($1.8 billion in 1997/1998) among global earners. (Photo by Eric Charbonneau/WireImage) WireImage HOLLYWOOD - JULY 09: Rupert Grint, Daniel Radcliffe and Emma Watson at the Hand, Foot and Wand-Print Ceremony at Grauman's Chinese Theatre on Jin Hollywood, California. ThatвЂ™s an oversimplification, but thereвЂ™s a reason Tyler Perry struck it huge in 2005 and why Tony Scott/Denzel Washington actioners started to feel like fountains in a desert.

#HARRY POTTER AND THE GOBLET OF FIRE ONLINE MOIE MOVIE#

Alongside Spider-Man the next year, Harry Potter would personify the kind of movie Hollywood was making instead of making, well, anything else. It also, through no fault of its own, set the course for the next wave of attempted blockbusters, with at least a decadeвЂ™s worth of young white males discovering that they were the special amid a fantasy adventure designed to appeal to all quadrants all around the world. It was indeed a watershed moment, in that a star-free (all due respect to some very respected British thespians making up the supporting cast) and entirely IP-specific brand sell would be absolutely expected to become one of the biggest-grossing movies of all time. It easily dethroned The Lost World: Jurassic Park ($74 million Fri-Sun/$92 million Fri-Mon over Memorial Day 1997) as the opening weekend champion. RowlingвЂ™s first four books, nabbed a then-record-breaking $32 million Friday gross and $90 million Fri-Sun debut.

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The first Harry Potter, coasting on oodles of free media as a preordained champion and a massive fan base related to J.K. It was a fitting climax to a year which saw an increase in previously unthinkable opening weekends, with the likes of Tomb Raider ($47 million), Shrek ($42 million) and Hannibal ($58 million) scoring massive debuts and the likes of The Mummy Returns ($68 million), Planet of the Apes ($68 million) and Rush Hour 2 ($66 million) coming within inches of setting new weekend milestones.

Today is the 20th anniversary of the domestic theatrical release of Harry Potter and the SorcererвЂ™s Stone.

Harry potter and the goblet of fire online moie